Molding (decorative)

Moulding or molding (USA) is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster but may be made from plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones.

A "sprung" moulding has beveled edges that allow mounting between two non-parallel planes (such as a wall and a ceiling). Other types of moulding are referred to as "plain".

Contents 1 Theory 2 Types 3 See also 4 References 5 Further Reading

Theory

At their simplest, mouldings are a means of applying light and dark shaded stripes to a structural objects without having to change the material or apply pigments. The contrast of dark and light areas gives definition to the object.

Imagine the vertical surface of a wall lit by sunlight at an angle of about 45 degrees above the wall. Adding a small overhanging horizontal moulding to the surface of the wall will introduce a dark horizontal shadow below the moulding, which in consequence is called a fillet moulding. Adding a vertical fillet to a horizontal surface will create a light vertical shadow. Graded shadows are possible by using mouldings in different shapes: the concave cavetto moulding produces a horizontal shadow that is darker at the top and lighter at the bottom; an ovolo (convex) moulding makes a shadow that is lighter at the top and darker at the bottom. Other varieties of concave moulding are the scotia and congé and other convex mouldings the echinus, the torus and the astragal.

Placing an ovolo directly above a cavetto forms a smooth 's' shaped curve with vertical ends that is called an ogee or cyma reversa moulding. Its shadow appears as a band light at the top and bottom but dark in the interior. Similarly, a cavetto above an ovolo forms an 's' with horizontal ends, called a cyma or cyma recta. Its shadow shows two dark bands with a light interior.

Together the basic elements and their variants form a decorative vocabulary that can be assembled and rearranged in endless combinations. This vocabulary is at the core of both Classical architecture and Gothic architecture.

Decorative mouldings have been made of wood, stone and cement. Recently mouldings made of Expanded Polystyrene (EPS) as a core with a cement-based protective coating have become popular. These mouldings have environmental, health and safety concerns that were investigated by Doroudiani et al.^[1].

Types

There are a variety of common moldings:

• Astragal — semi-circular molding attached to one of a pair of especially fire doors to cover the air gap where the doors meet
• Baguette — Thin, half-round molding, smaller than an astragal, sometimes carved, and enriched with foliages, pearls, ribbands, laurels, etc. When enriched with ornaments, it was also called chapelet.^[2]
• Bandelet — Any little band or flat molding, which crowns a Doric architrave. It is also called a tenia.^[2]
• Baseboard, "base molding" or "skirting board" — used to conceal the junction of an interior wall and floor, to protect the wall from impacts and to add decorative features. A "speed base" makes use of a base "cap molding" set on top of a plain 1" thick board, however there are hundreds of baseboard profiles.
• Baton — see Torus
• Batten or board and batten — a symmetrical molding that is placed across a joint where two parallel panels or boards meet
• Bead molding — narrow, half-round convex molding, when repeated forms reeding
• Beading or bead — molding in the form of a row of half spherical beads, larger than pearling
  • Other forms: Bead and leaf, bead and reel, bead and spindle
• Beak — Small fillet molding left on the edge of a larmier, which forms a canal, and makes a kind of pendant.^[2] See also: chin-beak
• Bed molding — a narrow molding used at the junction of a wall and ceiling. Bed moldings can be either sprung or plain.
• Bolection — a moulding which is raised, projecting proud of the face frame. It is located at the intersection of the different surface levels between the frame and inset panel on a door or wood panel. It will sometimes have a rebate (or rabbet) at the back, the depth of the difference in levels, so that it can lay over the front of both the face frame and the inset panel and can in some instances thus give more space to nail the moulding to the frame, leaving the inset panel free to expand or contract in varying climates, as timber is prone to do.
• Cable molding or ropework — Convex molding carved in imitation of a twisted rope or cord, and used for decorative moldings of the Romanesque style in England, France and Spain and adapted for 18th century silver and furniture design (Thomas Sheraton)^[3]
• Cabled fluting or cable — Convex circular molding sunk in the concave fluting of a classic column, and rising about one-third of the height of the shaft^[2]
• Casing — Final trim or finished frame around the top, and both sides of a door or window opening
• Cartouche (French) escutcheon) — framed panel in the form of a scroll with an inscribed center, or surrounded by compound moldings decorated with floral motifs
• Cavetto — (Italian) cavare: "to hollow", concave, quarter-round molding sometimes employed in the place of the cymatium of a cornice, as in the Doric order of the theatre of Marcellus. It forms the crowning feature of the Egyptian temples, and took the place of the cymatium in many of the Etruscan temples.

• Chair rail — horizontal molding placed part way up a wall to protect the surface from chair-backs, and used simply as decoration

• Chamfer — beveled edge connecting two adjacent surfaces

• Chin-beak — Concave quarter-round molding. There are few examples of this in ancient buildings, but is common in more recent times.^[2]

• Corner guard — Used to protect the edge of the wall at an outside corner, or to cover a joint on an inside corner.

• Cove molding or Coving — a concave-profile molding that is used at the junction of an interior wall and ceiling

• Crown molding — a wide, sprung molding that is used at the junction of an interior wall and ceiling. General term for any molding at the top or "crowning" an architectural element.

• Cyma — molding of double curvature, combining the convex ovolo and concave cavetto. When the concave part is uppermost, it is called a cyma recta but if the convex portion is at the top, it is called a Cyma reversa — The crowning molding at the entablature is of the cyma form, it is called a cymatium.

• Dentils — Small blocks spaced evenly along the bottom edge of the cornice

• Drip cap — this is placed over a door or window opening to prevent water from flowing under the siding or across the glass

• Echinus — Similar to the ovolo molding and found beneath the abacus of the Doric capital or decorated with the egg-and-dart pattern below the Ionic capital^[3]

• Egg-and-dart — One of the most widely used classical moldings^[3] with egg shapes alternating with V-shapes and known from Ancient Greek temples (Erechtheion).
  • Also: Egg and tongue, egg and anchor, egg and star

• Fillet — small, flat band separating two surfaces, or between the flutes of a column

• Fluting — Vertical, half-round grooves cut into the surface of a column in regular intervals, each separated by a flat astragal. This ornament was used for all but the Tuscan order

• Godroon or Gadroon — Ornamental band with the appearance of beading or reeding, especially frequent in silverwork and molding. It comes from the Latin word Guttus, meaning flask. It is said to be derived from raised work on linen, applied in France to varieties of the, bead and reel, in which the bead is often carved with ornament. In England the term is constantly used by auctioneers to describe the raised convex decorations under the bowl of stone or terracotta vases. The godroons radiate from the vertical support of the vase and rise half-way up the bowl.
  • Also: Gadrooning, lobed decoration, (k)nukked decoration, thumb molding

• Guilloche — Interlocking curved bands in a repeating pattern often forming circles enriched with rosettes and found in Assyrian ornament, classical and Renaissance architecture.^[3]

• Keel molding — with a sharp edge, resembling in cross-section the keel of a ship. It is common in the Early English and Decorated styles.

• Ovolo — Simple, convex quarter-round molding that can also be enriched with the egg-and-dart or other pattern

• Neck molding

• Picture rail — Functional molding installed 7–9 feet above the floor from which framed pictures and paintings are hung using picture wire and picture rail hooks. Primarily seen in older homes with plaster walls, as hammering in nails to hang pictures from would cause damage to the plaster. Furthermore, the plaster may not be strong enough to support the nail with a picture hung on it.

• Rosette — Circular, floral decorative element found in Mesopotamian design and early Greek stele. Part of revival styles in architecture since the Renaissance.^[3]

• Scotia — Concave molding with a lower edge projecting beyond the top and so used at the base of columns as a transition between two torus moldings with different diameters^[3]

• Screen molding — this is a small molding that is used to hide the area where a screen is attached to the frame.

• Shoe molding, toe molding or quarter-round — often used at the bottom of the baseboard to cover a small gap or uneven edge between the flooring and the baseboard.

• Torus — Convex, semi-circular molding, larger than an astragal, often at the base of a column, which may be enriched with leaves or plaiting

• Trim Molding — A general term used for moldings that are used to create added detail or cover up gaps. They can include corner moldings, cove moldings, rope moldings, quarter rounds, and accent moldings.^[4]

See also

• Architectural terms
• Architecture of Ancient Greece
• Architrave
• Cornice (architecture)
• Entablature
• Moulding plane
• Order of mouldings
• Renaissance architecture
• Roman architecture

References

Further Reading

• Theory of Mouldings (Classical America Series in Art and Architecture); C Howard Walker (Author) ; Richard Sammons (Foreword); W. W. Norton & Co. (July 31, 2007); ISBN-10: 0-393-73233-9

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